Task management featuresĪs mentioned earlier, both TickTick and Todoist have a lot in common. This parameter will put tasks with higher priority on the upper list when you sort your tasks list by priority level. Especially for priority level, this parameter is pretty handy since you can easily decide which tasks have to get done after you are done with certain one. In order to make your tasks be more organized, you can also add priority level on each task you create as well as tag (or label on Todoist). Both TickTick and Todoist support recurring task which helps you to ensure to not miss a regular task.įor instance, if you have a monthly task to backup your files, you can set on what date the concerned task need to be done each month.īoth TickTick and Todoist also supports sub-task. When adding a new task, both TickTick and Todoist allow you to add such parameters as priority level, reminder of when the task has to get done, due date and so on. The primary use of TickTick and Todoist is to help you manage your tasks, be it job-related tasks or personal tasks. Before judging which is the better between the two, let’s have an in-deep investigation toward them. For instance, they both offer a colorful list and allow to set the priority level every time you add new tasks.īoth TickTick and Todoist are also offer nice flexibility by providing official apps for a wide range of devices. Both TickTick and Todoist have a lot in common. TickTick and Todoist are two of the most stand out names. The battle in the productivity tool market, to-do list app more specifically, is tight enough. One big question, which is the better between them? Not only you can use them to manage job-related tasks, but also personal errands, grocery lists and so on. Ryin Gaines, guitar Pierce Cook, bass and Mike Donovan, drums.TickTick and Todoist are great tools to manage your tasks. Music director Ethan LaPlaca leads a solid backup band of G. Hartland, is somewhat uneven, with company artistic director Vince Ventura giving a yeoman performance in the central role, supported by associate artistic director Sara Fisher and Nathaniel LeDoux as his closest friends and other characters. Props to 12 Peers for tackling such a demanding show. Playwright David Auburn reshaped Larson's "rock monologue" into a tight three-person play for its 2001 premiere.
Variously titled 30/90 and Boho Days while Larson performed and developed it, Boom reflects the nitty-gritty of the struggling artist - not just the bathtub in the kitchen but also the business/process of grant-seeking, workshopping and trying to get one's agent to pay attention. But, let's face it, Rent was and remains a phenomenal success. OK, '90s Broadway pop (definitely NOT rock) isn't quite my cup of tea. And if you like the music of the latter, you'll appreciate Larson's earlier efforts in Boom. Thus Boom is the real story underlying the La Bohème structure of Rent. (Chalk it up as another fatality due to lack of health insurance and regular preventive care.) Actually, Larson didn't get to enjoy all the fame and (eventually) fortune, as he died of an undiagnosed heart malady shortly before the Broadway opening. However, what's most important here is that book, music and lyrics were written by Jonathan Larson, and originally performed by him as an autobiographical one-man show before he hit the big time with his 1996 Pulitzer- and Tony- and Drama Desk Award-winning Rent.
The un-ironic, earnest self-awareness of people who would now be in their 50s seems uncomfortably dated. The one-act focuses on the angst of late Boomers/early Gen-Xers/ Brady Bunch generationers on hitting the Big 3-0 without having achieved one's goal: still living like a kid while friends move into adulthood. Though originally staged in its current form in 2001, Boom is set - and thoroughly rooted - in 1990. BOOM! is an odd choice for 12 Peers Theater, or perhaps for any company this far into the 21 st century.
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